art and/or architecture

Yesterday, Sunday March 16th. an interesting exhibition was opened at RAM-Galeries in Rotterdam. Works of Luc Deleu (TOP-Office), Kas Oosterhuis (ONL/Hyperbody), Tomasz Jaskiewicz and others illustrate the possibilties for an adaptable and ‘interactive’ architecture; an architecture as interface. Especially revealing is the fact that part of Deleu’ work was already actual 20 years ago and is maybe more relevant today. the same evening the ‘Canvas Connection‘ showed Deleu’s work and personal choices on tv.

hand and ear

Friday 25th.October, the New Institute Rotterdam; a 3-hour seminar by artist Stelarc and philosopher Henk Oosterling as part of the exhibition Biodesign. Despite several attemps by Oosterling to try to get past the issues of art as such the whole afternoon remained somewhat one-sided. Connecting technological developments to art while some of them have possibilities in society is declaring art as individual statement – no problem there – while disregarding its enhancive options in society. But fascinating it was: growing an ear on one’s arm.

lezStelarc.jpg

imagination

To me, one of the most impressive works on the Biennale Venice 2013 is/was the short film by Neil Beloufa; Kempinski. A 14-minute film shot in Mali in which the imagination plays an important role. “the buildings are in light form, there are no settled doors in it. So, we enter where we want. we go out when we want and how we want“. (As far as I know this film is not distributed yet.)

Salter & senses

Chris Salter referring to Arakawa&Gins Reversible Destiny-project during a discussion on Displace 2.0:
“the general concept was that as we get older, we tend to lose sensory acuity – we lose our sense of smell, of taste, of tactile feeling. By designing architecture that would literally confuse the body, distort the same perceptual habits that you get used to day after day, one might prevent death – not literally, but metaphorically in the sense that death is really about falling into the blandness and lifelessness of routine.”
His project was presented at Todaysart Festival in 2012, theme this year was “the search and the loving for the undiscovered”. Let’s proceed………………..

performance architecture

On December 6th. 2012, Pedro Gadanho, MOMA’s curator for contemporary architecture, was present at Stroom the Hague for an illustrative lecture on Performance Architecture. Using images from the works of e,g. Gordon Matta-Clark, Haus Ruecker, Raumlabor, Exyzt and many others he discussed the links between architecture and art, between function and influence; adding social space by means of ‘city-performance’.

Under Tomorrow’s Sky

On August 10th. 2012, at MU in Eindhoven the first phase of the project ‘Under Tomorrows Sky‘ was presented and will be extended over the coming month. From the website: “Under Tomorrows Sky is a fictional, future city. Speculative architect Liam Young of the London based Tomorrows Thoughts Today has assembled a think tank of scientists, technologists, futurists, illustrators, science fiction authors and special effects artists to collectively develop this imaginary place, the landscapes that surround it and the stories it contains.” More, much more than the Matrix meets StarWars…….

public/private

Sometimes we find a older text that refers to actual issues: one is an essay written in 1909 by Miguel de Unamuno called ‘Berganza y Zapiron‘. The first – being the dog – discusses with the latter – the cat – the pro’s and con’s of home and the street; or, rephrased private vs. public space. The text, only 8 wonderful pages is, with 4 others, published in German by Droschl as Essay 31. (my thanks to Sandrine von Klot from PublicSpace2.0)